"Aftermath" Nelly Agassi

‍Nelly Agassi solo show Aftermath

Curated by Tīna Pētersone

“We live in a time when the past seems more unpredictable than the future,” wrote the British historian Eric Hobsbawm—a sentiment that feels ever more prescient as headlines offer reinterpretations of history with increasing frequency. History has never been a fixed entity—it has always been rewritten, reexamined, and reinterpreted. Yet today, these processes have reached an unprecedented intensity: historical understanding is entangled in ideological battles, muddled by the ​oversaturation of digital media, and increasingly weaponized as a tool in political discourse. When narratives compete, overlap, and shift in form, how can we orient ourselves among the versions of history they propose?

This exhibition unfolds in a time of deep instability—amid wars, shifts in power, and ideological rupture. Its central motif is rooted in the notion of “aftermath” as a layered, nonlinear, and continuously evolving process. The word aftermath first appeared in 16th-century Middle English, when farmers used it to describe grass that regrew after mowing. Over time, it acquired a broader metaphorical meaning—referring to the consequences of an event, especially in the wake of disaster, war, or major societal upheaval. Thus, the term encompasses both devastation and the potential for renewal—a cyclical process in which the past never truly disappears but transforms and returns in altered form. This notion of cyclical return forms the conceptual axis of Nelly Agassi’s first solo exhibition in the Baltic region.

At the heart of Agassi’s practice lies the idea of a “biography of site”—an approach that treats a site’s context as both a source of inquiry and a material in itself. During a week-long visit in Riga last November, Agassi visited local museums and wandered through the city, collecting visual impressions and engaging with traces of historical presence. These impressions reappear in her installations as fragments, gestures, and materials imbued with symbolic charge. Aftermath becomes both a meditation on what has been and an inquiry into a future (or a history?) still taking shape—still possible.

Supporters: Ministry of Culture, State Culture Capital Foundation, KOMPOZITS, WMT Baltic, Absolut, Valmiermuiža, KRASO.

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About the gallery

Kim? Contemporary Art Centre (Riga) is one of the leading and most recognized contemporary art institutions in Latvia. Founded in 2009, Kim? has organized more than 150 exhibitions by emerging and established artists from Latvia, the Baltics, and internationally. Over 50 exhibitions and projects have been held outside of Latvia in partnership with renowned art institutions, including, Fondation d’entreprise Ricard (Paris), Baryshnikov Arts Center (New York), Moderna Museet (Malmö), KW Institute for Contemporary Art (Berlin), Art in General (New York) and numerous other. Kim? has been a two-time organizer of the National Pavilion of Latvia in Venice Biennale - 55th Venice Biennale, co-curated with long-time partner, New York-based art space Art in General, and the 58th Venice Biennale, co-organized with the Latvian Contemporary Art Centre. Kim?s outgoing artists' residency program is organized in collaboration with long-term partner ISCP (New York) and since this year Kim? has also introduced a new internal residency program at its future venue on Hanzas Street 22 in Riga. In 2024 Kim? launched its annual contemporary art festival "Eden" and July 2025 marks the premiere of contemporary art fair Riga Contemporary. Kim? is a non-profit, non-governmental institution.

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